Thursday, July 30th, 2015

A Manifesto Against Completing Sagrada Família Church

I’ve written before about Sagrada Família Church in Barcelona, an architectural masterwork by Antoni Gaudí. In particular you may remember my essay “Will Sagrada Família Be Mankind’s Last Ever Great Artistic Statement for God?.”

I wrote that piece after reading an article by Oscar Tusquets Blanca in Domus magazine in 2011. In it he talked about being an instigator as a student of the publication of a manifesto (his term) against completion of the church. And how he now believes he and his fellow signatories were very mistaken.

While researching a forthcoming lecture, I wanted to read that manifesto, but I could not find it online anywhere in either Spanish or English. Architect Duncan Stroik helped locate a copy for me via Pablo Álvarez Funes in London, who also kindly translated it into English. I’m reproducing that translation in English below, followed by the Spanish original. If you wish, you can view the original newspaper version as a PDF.

As this was an open letter published in a newspaper, I presume the authors have no objection to sharing this important document. To the best of my knowledge, there’s no other easily accessible English language translation. Thanks to Pablo and Duncan for making this possible.

This letter was originally published on Saturday, January 9, 1965 in La Vanguardia, Barcelona’s leading newspaper.

Letters to “LA VANGUARDIA”

Construction Works at the Church of Sagrada Familia

Mr. Director of LA VANGUARDIA

Dear Sir:

We request to please give place to the following letter within the pages of this newspaper that you worthily direct, for which we express our gratitude in advance.

The Church of Sagrada Familia was commenced in March 19, 1882, and it has remained unfinished for many years, with works developing slowly and practically interrupted. We are periodically reminded on the duty to contribute to its completion and an important part of the public considers Sagrada Familia as a task in we are all committed and whose renounce is a collective shame. A special day has been dedicated to remind it to us and raise funds for the continuation of construction works. This day is close and as many people will take part on the collection being convinced on collaborating on a religious, civic and artistic work; and as we are convinced that this work is not only non-positive, but also counterproductive, we think it is our duty to expose our points of view.

1.- The cathedral had as one of its purposes to gather all the city residents during the great religious celebrations; in the cities of today such a big monumental temple has no sense.

It is not a matter of building a great temple for the whole city, which should allow space for almost two million people, but building multiple parishes. In all fields, urban planning tends to these decentralized neighbourhoods, and the Church who strives to support itself in real urban entities precisely, tends to vitalize parishes as centres of evangelization.

A temple such as Sagrada Familia wouldn’t be either useful or large religious gatherings, as the Eucharistic Congress was. An opened space or a vast covered space with different characteristic from the temple designed by Gaudi should be required. We therefore believe that the continuation of a temple following this line is a social and urban mistake.

2.- Sagrada Familia has to be considered from the point of view of a expiatory monument. In this case, the temple would come to focus and symbolize the expiatory fervour of the whole society. But we don’t believe on such popular sentiment, nor anyone feeling really connected to this collective expiatory task. Today’s generation doesn’t understand that the need of expiation has to be precisely materialized in the construction of a temple that will cost millions.

3.- Even if there was no social, urban or pastoral justification to complete the temple, the could be another reason. Sagrada Familia is a work of Gaudí and has an artistic value. Let’s forget for a moment that the artistic value of a building cannot be separated from its social justification. It is a work of Gaudí, it is a work of art, and some people want to see it finished. But, is it possible to finish a building? Nobody would ever finish a painting or a sculpture, but can a building be completed without the architect who designed it? I might be possible if there were very accurate plans, if all building issues were solved on paper. But Gaudí had such a living concept of architecture that created his work daily following messy impulses, with preliminary drawings which could only be used as a guide. There is an essential pictorial and sculptural side of Gaudi which could only have been done by him. Without it, the work keeps distorted and diminished. But we neither have any model or drawings from Gaudí. This reason is conclusive and makes all previous seem unnecessary. Sagrada Familia cannot be continued because there are no drawings; anything done on this side is improvisation. Nobody really respecting Gaudi’s work can cooperate on this mess.

These are our reasons. The temple is inoperative from an urban and social point of view; the city does not need big temples but parishes to allow pastoral action; a great expiatory temple for the whole society is an idea out of time – today popular fervor is expressed in other ways, otherwise the temple would have been already concluding; finishing a building without the architect who designed it is very difficult; but if it desired to be finished following his designs and those drawings are missing, it is just a fully ambiguous attempt.

What to do, then, with what we have built? This lends itself to a long discussion. There are plenty and varied solutions which should be studied and choose the best. Our only certainty is that what is being done now is wrong, and only urgency is to finish with this error as soon as possible. There will be time to study solutions at a later day; from converting the current esplanade in an outdoor temple, leaving the facade and apse as a monumental altarpiece; to continue building adapting Gaudí principles to modern techniques and needs.

Yours Sincerely:

Antoni de Moragas, Chairman of the Colegio de Arquitectos (Institute of Architects).

Alfons Serrahima, President of FAD (Fomento de las Artes y el Diseño – Promotion of Arts and Design).

Roberto Terradas, Dean of the School of Architecture.

Students of the School of Architecture.

Nikolaus Pevsner, director of “Architectural Review”

Gio Ponti, director oh “Domus”.

Bruno Zevi, director of “L’architettura”,

Ernesto N. Rogers, director oh “Casabella”.

Vittorio Gregotti, director of “Edilizia Moderna”.

M. Capelladas, O. P., director of “Art Sacré”.

Carlos de Miguel, director of “Arquitectura”.

Asís Viladevall, director of “Cuadernos de Arquitectura”.

Le Corbusier, Ludovica Quaroni, Paolo Portoghesi, Ludovico Belgiolso, J. A. Coderch, Manuel Valls, N. Rubio Tudurí, Antoni Bonet, Oriol Bohigas, J. M. Martorell, David Mackay, Federico Correa, Alfonso Milá, Joaquim Gili, Francesc Bassó, Vicens Bonet, Ricardo Bofill, Enric Tous, J. M. Fargas, Xavier Subías, J. M. Sostres, Josep Pratmarsó, A. Fernández Alba, R. V. Molewin, J. A. Corrales, Jesús Bosch, Javier Feduchi, J. L. Pico, C. Ortíz Echagüe, Ignacio Araujo, architects.

Pere M. Busquets, O.SB.; Miguel Estradé, O. S. B.; Evangelista Vilanova, O.S.B.: A. Borras, Ricard Pedrals, presbyter; Frederic Bassó, presbyter; Joan E. Jarque, presbyter; J. Alemany, presbyter; Joan Ferrando, presbyter; Casimir Martí, presbyter; Josep Bigordá, presbyter; M. Prats, presbyter; Jordi Bertrán, presbyter; Josep Hortet, presbyter; Pere Tena, presbyter.

Joan Miró, Antoni Tapies, J. Llorens Artigas, A. Rafols Casamada, Todó, Marcel Martí, Hernández Pijuan, Subirachs, Antoni Cumella, Cesc, Oriol Maspons, Julio Ubiña, Leopold Pomés, Xavier Miserachs, André Ricard, Rafael Marquina, Jordi Fornas, Miguel Milá, Joan Gaspar, Miquel Gaspar, Manuel Dicenta, Román Gubern, Joan Prats, Oriol Martorell, J. M. Mestres Quadreny.

Roberto Pane, Gillo Dorfles, Giullo Carlo Argan, Sibyl Moholy-Nagy, Alexandre Cirici, Camilo J. Cela, R. Santos Torroella, J. M. Valverde, A. Badia Margarit, Joan Teixidor, Joan Oliver, Joan Perucho, Salvador Espriu, Caries Soldevila, Carlos Barral, J. Gil de Biedma, J. M. Espinas, Joan Brossa, María Martinell, Lluisa Calvet, Pere Vegué, J. Gich.

Remember that the section “Letters to LA VANGUARDIA” is a platform opened to our reader’s opinions, which might not coincide with that of the newspaper, which has its specific sections for that purpose.

CARTAS A “LA VANGUARDIA”

La obra del templo de la Sagrada Familia

Sr. Director de LA VANGUARDIA

Muy señor nuestro:

Le rogamos que dé cabida en las páginas del periódico de su digna dirección la siguiente carta, por lo cual le expresamos nuestra gratitud anticipada.

El templo de la Sagrada Familia fue iniciado 19 de marzo de 1882, y desde hace muchos años permanece inacabado, con una obra a un ritmo lentísimo, prácticamente interrumpido. Periódicamente alguien nos recuerda el deber que tenemos de colaborar a su terminación y un sector importante de público considera la Sagrada Familia como una empresa en la que estamos comprometidos todos y cuyo abandono es una vergüenza colectiva. Se ha dedicado un día especial a recordárnoslo y a recaudar fondos para la continuación de las obras. Este día está próximo y como muchas personas participarán en la colecta convencidos de colaborar en una obra religiosa, ciudadana y artística, y como nosotros estamos, convencidos de que esta labor no sólo no es positiva, sino que es contraproducente, creemos un deber exponer nuestros puntos de vista.

1.- La catedral tenía como uno de sus fines agrupar a todos los habitantes da la ciudad en las grandes celebraciones religiosas; en las ciudades de hoy un enorme templo monumental no tiene sentido.

No m trata ya de construir un gran templo para toda la ciudad, que debería tener cabida para casi dos millones de habitantes, sino de construir múltiples parroquias. El urbanismo tiende en todos los campos a esta descentralización en barrios y la Iglesia que, por razones pastorales, se esfuerza en apoyarse precisamente en las entidades urbanas reales, tiende a vitalizar las parroquias como núcleos de evangelización.

Tampoco para las grandes concentraciones religiosas —como lo fue el Congreso Eucarístico— tendría utilidad un templo como la Sagrada Familia; se requeriría un espacio abierto o un vastísimo espacio cubierto de características muy distintas a las del templo ideado por Gaudí. Creemos, por tanto, que la continuación de un templo dentro de esta línea es un error social y urbanístico.

2.- Puede considerarse a la Sagrada Familia, desde el punto de vista de un monumento expiatorio. En este caso el templo vendría a centrar y a simbolizar el fervor expiatorio de todo un pueblo. Pero no creemos que exista este sentimiento popular, ni que nadie se sienta vinculado de veras a esta empresa colectiva de expiación. La generación de hoy no comprende que una necesidad de expiación tenga que concretarse precisamente en la construcción de un templo que costaría millones.

3.- Aunque no hubiera justificaciones sociales ni urbanísticas ni pastorales para terminar el templo, podría haber otra razón. La Sagrada Familia es obra de Gaudí y tiene un valor artístico. Olvidemos por un momento que el valor artístico de un edificio no puede desvincularse de su justificación social. Es una obra de Gaudí, es una obra de arte, y hay quien quiere verla terminada. Ahora bien, ¿es posible terminar un edificio? A nadie se le ocurriría terminar un cuadro o una escultura, pero un edificio ¿se puede terminar sin el arquitecto que lo concibió? Quizá sería posible si existieran planos detalladísimos, si el edificio estuviese resuelto sobre el papel en todos sus puntos. Pero Gaudí tenía de la arquitectura un concepto tan vivo que creaba su obra diariamente a impulsos desordenados, con unos planos previos que servían apenas de pauta. En Gaudí hay un aspecto pictórico y escultórico que es esencial y este aspecto sólo él lo podía realizar. Sin él, la obra queda falseada y disminuida. Pero, además, no disponemos de ningún proyecto, de ningún plano auténtico de Gaudí. Esta razón es concluyente y todas las anteriores parecen innecesarias. No se puede continuar la Sagrada Familia de Gaudí porque no existen planos; todo lo que se haga son improvisaciones. Nadie que respete de veras la obra gaudiniana puede colaborar a esta mixtificación.

Estas son nuestras razones. Urbanística y socialmente el gran templo es inoperante; para la acción pastoral en la ciudad se necesitan parroquias y no grandes templos; un gran templo expiatorio de todo un pueblo es una idea fuera de época —hoy el fervor de un pueblo se expresa en otras formas, y de no ser así, el templo estaría ya terminado—; terminar un edificio sin el arquitecto que lo ideó es muy difícil; pero sí se quiere terminar según su mismo proyecto y de este proyecto no quedan planos, es ya un intento lleno de vaguedades.

¿Qué hay que hacer, pues, con lo que tenemos construido? Esto se presta a una larga discusión. Las soluciones son muchas y muy diversas. Habría que estudiarlas y elegir la mejor. Lo único seguro es que lo que ahora se está haciendo es un error, y lo único urgente es terminar cuanto antes con este error. Tiempo habrá luego para estudiar soluciones, desde convertir la actual explanada en un templo al aire libre, dejando la fachada y el ábside como un monumental retablo, hasta continuar la construcción adaptando los principios gaudinistas a las técnicas y necesidades modernas.

Reciba un atento saludo de

Antoni de Moragas, decano del Colegio de Arquitectos.

Alfons Serrahima, presidente del FAD.

Roberto Terradas, director de la Escuela de Arquitectura.

Estudiantes de la E.T.S. de Arquitectura.

Nikolaus Pevsner, director de “Architectural Review”

Gio Ponti, director de “Domus”.

Bruno Zevi, director de “L’architettura”,

Ernesto N. Rogers, director de “Casabella”.

Vittorio Gregotti, director de “Edilizia Moderna”.

Capelladas, O. P., director de “Art Sacré”.

Carlos de Miguel, director de “Arquitectura”.

Asís Viladevall, director de “Cuadernos de Arquitectura”.

Le Corbusier, Ludovica Quaroni, Paolo Portoghesi, Ludovico Belgiolso, J. A. Coderch, Manuel Valls, N. Rubio Tudurí, Antoni Bonet, Oriol Bohigas, J. M. Martorell, David Mackay, Federico Correa, Alfonso Milá, Joaquim Gili, Francesc Bassó, Vicens Bonet, Ricardo Bofill, Enric Tous, J. M. Fargas, Xavier Subías, J. M. Sostres, Josep Pratmarsó, A. Fernández Alba, R. V. Molewin, J. A. Corrales, Jesús Bosch, Javier Feduchi, J. L. Pico, C. Ortíz Echagüe, Ignacio Araujo, arquitectos.

Pere M. Busquets, O.SB.; Miguel Estradé, O. S. B.; Evangelista Vilanova, O.S.B.: A. Borras, Ricard Pedrals, presbítero; Frederic Bassó, presbítero; Joan E. Jarque, presbítero; J. Alemany, presbítero; Joan Ferrando, presbítero; Casimir Martí, presbítero; Josep Bigordá, presbítero; M. Prats, presbítero; Jordi Bertrán, presbítero; Josep Hortet, presbítero; Pere Tena, presbítero.

Joan Miró, Antoni Tapies, J. Llorens Artigas, A. Rafols Casamada, Todó, Marcel Martí, Hernández Pijuan, Subirachs, Antoni Cumella, Cesc, Oriol Maspons, Julio Ubiña, Leopold Pomés, Xavier Miserachs, André Ricard, Rafael Marquina, Jordi Fornas, Miguel Milá, Joan Gaspar, Miquel Gaspar, Manuel Dicenta, Román Gubern, Joan Prats, Oriol Martorell, J. M. Mestres Quadreny.

Roberto Pane, Gillo Dorfles, Giullo Carlo Argan, Sibyl Moholy-Nagy, Alexandre Cirici, Camilo J. Cela, R. Santos Torroella, J. M. Valverde, A. Badia Margarit, Joan Teixidor, Joan Oliver, Joan Perucho, Salvador Espriu, Caries Soldevila, Carlos Barral, J. Gil de Biedma, J. M. Espinas, Joan Brossa, María Martinell, Lluisa Calvet, Pere Vegué, J. Gich.

Recordamos que la sección de “Cartas a LA VANGUARDIA” es una tribuna abierta a la opinión de nuestros lectores, la cual puede no coincidir con la del periódico, que tiene ras secciones específicas de manifestación.

Comments Off on A Manifesto Against Completing Sagrada Família Church
Topics: Architecture and Design, Arts and Culture, Historic Preservation, Urban Culture
Cities: Barcelona

Wednesday, July 29th, 2015

Think Globally, Disrupt Locally

My latest piece is online in the Los Angeles Times. It’s about how environmental activists are trying to stop fracking and Alberta oil developments by obstructing the ability to export fossil fuels using local control over ports as a lever.

I am generally a strong proponent of local control, but disruption of global commerce, particularly when clearly motivated by non-local concerns, is not something localities should be doing. Interstate commerce, like immigration policy, is a clearly federal policy domain. Policy and regulation for it needs to be set at the federal level. People who don’t want oil drilling in Alaska should take that up with President Obama, who approved it, not the Port of Seattle.

Here’s an excerpt:

The Shell battle highlights a new tactic among environmental activists: Unhappy with policies made in Washington, they’re trying to use local regulations to set national policy. Pressuring cities and other local entities that control many of the nation’s ports, the greens hope to prevent fossil-fuel industries from obtaining permits and thus keep such energy from coming to market. And they’re having some success.

Under tremendous pressure from environmentalists, Portland, Ore., shot down a proposed propane-export terminal. Activist Daphne Wysham boasted that “residents of the Pacific Northwest have begun to mobilize in bold and successful resistance to these fossil fuel exports.”

Oregon greens are elsewhere trying to prevent the export of liquefied natural gas. As Stacey McLaughlin noted approvingly in an Oregonian op-ed, “If they cannot export natural gas, then they will need to cut back on fracking.” Similar battles are raging north of the border, in British Columbia, and on the East Coast. South Portland, Maine, for instance, banned the export of crude oil arriving there via pipeline.

Click through to read the whole thing.

Comments Off on Think Globally, Disrupt Locally
Topics: Economic Development, Public Policy, Sustainability, Transportation

Wednesday, July 22nd, 2015

New York’s Paleolithic Subway Signalling

Second Avenue Sagas pointed me at this new video about the signal replacement project on the New York subway system. The first couple minutes show the fossilized remains the original signaling system that is, amazingly, still for the most part used to control the subways. If the video doesn’t display for you, click here.

The MTA has a program underway to replace these, but it’s proceeding at snail’s pace. Only the Canarsie Line/L-train is complete, and the Flushing Line/7-train will be finished in 2017, supposedly. It will take five and a half years just to upgrade the western segment of the Queens Blvd Line. At this rate I’ll be long dead before they finish upgrading the whole system. And by that time, the new “state of the art” CBTC signalling system will itself long be past end of life.

It’s very difficult to upgrade NYC’s subways because they are a 24 x 7 x 365 system. The MTA employees do a fantastic job of keeping it going in difficult circumstances. But given the MTAs dubious record on major capital projects in terms of cost and timeline, it’s hard to believe this is the best that can be done.

This also shows why fully funding the MTA capital plan is so important. It’s about dealing with critical upgrades to the existing system to keep things going. If anything, the amount of capital funds devoted to the CBTC signal program should be significantly increased to start upgrading multiple lines in parallel.

Comments Off on New York’s Paleolithic Subway Signalling
Topics: Transportation
Cities: New York

Monday, July 20th, 2015

LA’s Tale of Two Cities

My latest post is online at New Geography and is called “LA’s Tale of Two Cities.” I was prompted to write it when I saw two articles within a month of each other, one declaring LA a paradise for creatives priced out of New York, the other about how creatives can’t afford to live in LA anymore. Here’s an excerpt:

It’s the best of times and the worst of times in Los Angeles.

Los Angeles is now attracting notice as a so-called “global city,” one of the world’s elite metropolises. It is ranked #6 in the world by AT Kearney and tied for 10th in a report by the Singapore Civil Service College that I contributed to.  Yet it also has among the highest big city poverty rates in the nation, and was found to be one of the worst places in America for upward mobility among the poor. Newspaper columns are starting to refer to LA as a “third world city.”

Yet LA’s glitz factor remains potent. The fashion industry has gained considerable recognition.  Tom Ford set up shop and brought his runway show to the city. Locally grown brands like Rodarte have a major following.   LA also is increasingly a global center of gravity in the art world.

Yet behind the glitz, in the city of Los Angeles, aging water mains regularly erupt and the streets and sidewalks decay, with the city’s own report estimating it has an $8.1 billion infrastructure repair backlog.

One report chronicles the flight of cash-strapped New York creatives fleeing to sunny, liberating, and less expensive LA.  Another how high prices and the Southern California grind are sending those same creatives packing.

Click through to read the whole thing.

Comments Off on LA’s Tale of Two Cities
Topics: Demographic Analysis, Economic Development, Globalization, Urban Culture
Cities: Los Angeles

Monday, July 13th, 2015

Chicago’s Great Financial Fire

My latest piece is online in City Journal and is called “Chicago’s Financial Fire.” It’s a look at the ongoing financial crisis in that city, which has all of a sudden gotten very real thanks to a downgrade of the city’s credit rating to junk by Moody’s. Here’s an excerpt:

While some sort of refinancing may be required, the proposed debt issue contains maneuvers similar to those that helped get Chicago into trouble in the first place—including more scoop and toss deferrals, $75 million for police back pay, $62 million to pay a judgment related to the city’s lakefront parking-garage lease, and $35 million to pay debt on the acquisition of the former Michael Reese Hospital site (an architecturally significant complex Daley acquired and razed for an ill-fated Olympic bid). The debt-issue proposal also includes $170 million in so-called “capitalized interest” for the first two years. That is, Chicago is actually borrowing the money to pay the first two years of interest payments on these bonds. In true Chicago style, the proposal passed the city council on a 45-3 vote. Hey, at least the city is getting out of the swaps business.

Even with no further gimmicks, Emanuel will be six years into his mayoralty before the city can stop borrowing just to pay the interest on its debt. And without accounting for pensions, it will take the full eight years of both his terms to get the city to a balanced budget, where it can pay for the regular debt it has already accumulated.

Click through to read the whole thing.

Rahm donned a sweater during his reelection campaign and told the public he recognized he needed to change his ways, saying that he knows he “can rub people the wrong way.” The title of that ad was “Chicago’s Future.”

I decided to take him up on his new approach. When I was working on this piece, I tried to get some information of the mayor’s press office. I asked them such extremely hard hitting questions as, “Is there a consolidated location where all of the mayor’s most recent financial proposals can be seen in their current form?” I emailed them and got no response. So I followed up with a phone call. I was put on hold for a while then told the person I needed to talk to was away from her desk, but I should email her at a XYZ address. So I did. No response. This is the same pattern all previous inquiries I’ve made have followed, though I believe on occasion I’ve been put through to a voice mail from which I got no callback. Now, it’s not like I try to get stuff from these guys every day, but the message is pretty clear. I gather that this experience is not at all unusual when dealing with Rahm.

Having his press office simply refuse to respond at all to even basic inquiries from (the apparently many) people on his blacklist is naught but pettiness. Rahm takes people who could be friends and does his best to turn them into enemies. No wonder the Sun-Times titled a recent about him, “Rahm’s troubles plentiful, allies scarce.”

Thus it is that Chicago, a city of grand and expansive history and ambition, a city so big it overflows the page, comes to have a mayor with a certain smallness of spirit.

Comments Off on Chicago’s Great Financial Fire
Topics: Public Policy, Strategic Planning, Sustainability
Cities: Chicago

Wednesday, July 1st, 2015

Big Aspirations Aren’t Just for Big Cities Anymore

My latest column is available in this month’s issue of Governing magazine. It’s called “Big Aspirations Aren’t Just for Big Cities Anymore.” In it I talk about how smaller cities – which in my view are metro regions between roughly one and three million given my focus on major American cities – have dramatically upgraded their game in the last decade. That’s not to say that they are on the same level as places in San Francisco or New York. Or that they have even closed the gap with those places. Rather that objectively speaking they have raised their game and as a result now have a much greater “addressable market” in terms of upscale residents and business – at the same time those larger places are becoming progressively unaffordable.

Here’s an excerpt:

Back in 1992, as a fresh graduate of Indiana University looking for a job, I met with recruiters for a position in Chicago. They pitched me on the city by telling me that it had this hip, new, uber-cool coffee shop. They were talking about Starbucks. If you were around in the ’90s, you may remember that those magazine “coolest-cities” lists often used the number of Starbucks as a metric. A city that finally got Starbucks thought it had hit the big time.

Today, of course, you can get Starbucks between the gas station and Motel 6 on the interstate. But back then it was a different story. The difference between Chicago and a city like Indianapolis, where I also interviewed, was night and day. Compared to Chicago, moving to Indianapolis would have been like getting sent to Siberia. It was all but impossible to get good coffee or a decent meal in Indy back then. While the city had already made many improvements, it was still pretty bleak.

Click through to read the whole thing.

I can’t find it online, but a few years back Chicago Magazine did a retrospective on their top ten restaurants list from circa 1995. It was pretty hilarious. I don’t remember them all, but Cafe Ba-Ba-Reeba was one of them. How things change.

I think it’s pretty clear that for a whole slew of items, places like Nashville or Columbus now are at a higher level than even Chicago was a couple decades ago. That’s not true of everything, but it’s true for a lot of things.

I believe this change in the competitive landscape is one of the reasons Atlanta took a big hit in the 2000s. Atlanta used to be the only game in town for major corporations in the South. Now places like Nashville, Charlotte, and Raleigh are viable alternatives.

Comments Off on Big Aspirations Aren’t Just for Big Cities Anymore
Topics: Arts and Culture, Economic Development, Talent Attraction, Urban Culture
Cities: Chicago, Indianapolis

Monday, June 29th, 2015

Viva Havana!


Photo by Scott Beyer

With pending changes in US-Cuban relations, there’s been a flurry of attention turned towards Cuba and Havana. I want to highlight a few articles on the topic. Firstly, Scott Beyer posted a two-part series over at Market Urbanism. It’s part policy analysis, part travelogue, and his large numbers of photos are a must-see.

His first piece is “City of Scarcity.” Here’s an excerpt:

I found myself unable to buy basic things. For example, during my first night in Havana, I didn’t realize–until it was too late–that the B&B landlord had not provided toilet paper. In America, this would be a glaring oversight, but in Havana, I would discover, is normal. This forced me to navigate my neighborhood at 3am, offering pesos to the many teenage boys still standing outside, to bring out “papel higienico” from their houses. Every time I tried this, they would each explain, in rather comical fashion, that none was available. Finally I found a teenager who spoke passable English, and asked him how this could be. After sending his little brother in to find something, he explained that “in Havana, toilet paper is a delicacy–like chocolate,” and that most residents don’t just have any sitting around. So how did people cope?

“Here in Havana, we have a saying,” he quipped. “We say, ‘Cubans have a good ass. Our asses work for all kinds of paper. Toilet paper, newspaper, book paper–any kind of paper’.”


Photo by Scott Beyer

His second piece is called “Stagnation Doesn’t Preserve Cities, Nor Does Wealth Destroy Them.” He uses the example of Havana as a counter-point to the anti-gentrification narrative in which investment in a city destroys is character.

Instead, she claims that these groups are “destroying” the city. She is thus spouting the same myth that is advanced about historic preservation by urban progressives, who seem to think that wealth and gentrification works against preservation. But a fair-minded look at U.S. cities demonstrates the opposite. If one looks at America’s most notable historic neighborhoods–the Back Bay in Boston; Capitol Hill in DC; the French Quarter in New Orleans; much of northern San Francisco; much of Manhattan and northern Brooklyn; downtown Savannah; and downtown Charleston–a unifying feature is that they have great residential wealth. Meanwhile, there are numerous cities—Baltimore, Philadelphia, Detroit, St. Louis, Cleveland—that have a similar number of historic structures. But many of them sit hollowed-out because of decline.


Image via the Guardian

Meanwhile, the Guardian also ran a take on the city, calling Havana “one of the world’s great cities on the brink of a fraught transition.” It’s very different to say the least.

Nowhere have these changes been more apparent than in Cuba’s capital, and Havana today can be a jarring collision of the antique and the nouveau. While I was there, the Havana Biennial was bringing in cutting-edge artists and art dealers from all over the world – yet turn the television to one of the state-sponsored channels and one is immediately transported back to the time of Soviet-era propaganda, of shrill declarations and low production values. In contrast, Venezuela’s TeleSUR (now accessible to Cubans), which generally maintains a line favourable to Venezuelan president Nicolás Maduro and his allies (of whom the Castros are two), is positively electric and full of flashy visuals and news from the outside world.


Photo by Scott Beyer

Last Spring, City Journal ran a piece on the city by Michael Totten called “The Last Communist City.”

Even employees inside the quasi-capitalist bubble don’t get paid more. The government contracts with Spanish companies such as Meliá International to manage Havana’s hotels. Before accepting its contract, Meliá said that it wanted to pay workers a decent wage. The Cuban government said fine, so the company pays $8–$10 an hour. But Meliá doesn’t pay its employees directly. Instead, the firm gives the compensation to the government, which then pays the workers—but only after pocketing most of the money. I asked several Cubans in my hotel if that arrangement is really true. All confirmed that it is. The workers don’t get $8–$10 an hour; they get 67 cents a day—a child’s allowance.

The maximum wage is just the beginning. Not only are most Cubans not allowed to have money; they’re hardly allowed to have things. The police expend extraordinary manpower ensuring that everyone required to live miserably at the bottom actually does live miserably at the bottom. Dissident blogger and author Yoani Sánchez describes the harassment sarcastically in her book Havana Real: “Buses are stopped in the middle of the street and bags inspected to see if we are carrying some cheese, a lobster, or some dangerous shrimp hidden among our personal belongings.” Perhaps the saddest symptom of Cuba’s state-enforced poverty is the prostitution epidemic—a problem the government officially denies and even forbids foreign journalists based in Havana to mention. Some Cuban prostitutes are professionals, but many are average women—wives, girlfriends, sisters, mothers—who solicit johns once or twice a year for a little extra money to make ends meet.

Wednesday, June 24th, 2015

Hooray For the High Bridge

IMG_1714

My latest article is online in City Journal and is a look at the restoration and reopening of the High Bridge in New York City. Part of the original Croton Aqueduct system that first brought plentiful clean water to New York, portions of the High Bridge are the oldest standing bridge in the city. Here’s an excerpt:

It’s worth asking whether, with its $61 million price tag, the High Bridge project was really needed. Strictly speaking, the answer is: No. The structure was in no danger of falling down. And, just a half mile to the north, the Washington Bridge provides a functional, if unpleasant, pedestrian crossing over the Harlem River. Yet, the High Bridge is an important part of New York history and deserves its loving restoration. Spending serious money on outlying neighborhoods that are mostly minority and heavily poor to give their residents a humane environment instead of a minimalistic one shows that New York does care about all its citizens. Great cities don’t just do great things in a sanitized downtown Green Zone for visitors. They create greatness in their workaday neighborhoods, too, with projects that speak not merely to the pragmatic, but to the human spirit. The High Bridge restoration again shows what great commercial success allows a city to do for its citizens.

Click through to read the whole thing.

Here are some additional pictures I took. First, the High Bridge peeking through the trees from the Manhattan heights. You can see both the original stone arch spans and the longer steel arch span.

Looking south:

Embedded seal in the bridge pavement with historical info. There are quite a few of these discussing various aspects of the project.

The neighbors are fans:

Comments Off on Hooray For the High Bridge
Topics: Architecture and Design, Historic Preservation, Public Policy, Transportation, Urban Culture
Cities: New York

Monday, June 22nd, 2015

Why Are US Rail Transit Construction Costs So High?

It’s no secret to readers here that US rail transit construction costs are far out of line vs. other countries. David Schleicher, a law professor at Yale, recently co-authored an article examining some potential reasons why. I crossed paths with David last week and recorded this short podcast with him delving into the matter.

If the audio embed doesn’t display for you, click over to listen on Soundcloud.

Comments Off on Why Are US Rail Transit Construction Costs So High?
Topics: Public Policy, Transportation

Monday, June 15th, 2015

Small Regions Rising

In the last 25 years there has been a huge change in the level of competitiveness of smaller urban areas – by which I mean the small end of the major urban scale, or metro areas of about one to three million people – that has put them in the game for people in residents in way they never were before.

I recently gave the morning keynote at the Mayor’s Development Roundtable in Oklahoma City and talked a bit about this phenomenon, as well as how these generally younger and sprawling areas ought to be thinking about their future.

If the video doesn’t display for you, click over to watch on You Tube (my segment starts at 4:36).

The Urban State of Mind: Meditations on the City is the first Urbanophile e-book, featuring provocative essays on the key issues facing our cities, including innovation, talent attraction and brain drain, global soft power, sustainability, economic development, and localism. Included are 28 carefully curated essays out of nearly 1,200 posts in the first seven years of the Urbanophile, plus 9 original pieces. It's great for anyone who cares about our cities.

About the Urbanophile

about

Aaron M. Renn is an opinion-leading urban analyst, consultant, speaker, and writer on a mission to help America’s cities thrive and find sustainable success in the 21st century.

Full Bio

Contact

Please email before connecting with me on LinkedIn if we don't already know each other.

-->

 

Copyright © 2006-2014 Urbanophile, LLC, All Rights Reserved - Click here for copyright information and disclosures